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On China and other niceties

The Artist

By Cinema

The French movie that conquered the world’s heart.

 

Today, October 12, marks the premiere in France of The Artist.

Looking through my diaries, I came across an entry I made on January 26, 2012 and that I leave here as a small, humble homage to the film:

Yesterday I went to see The Artist, silent, black and white and a wonderful description of the fall of a man unable to adapt to changing times; in his case, the arrival of the talkies, and who is saved in extremis by something that surely he, along with many others, least expected at that moment in his life: a ray of love.

Hay Festival and Mr Independence

By Hay Festival, Literature, Short story

Photos: Jesús Pascual – IE Business School

 

Among the works I read out or recited at the Jardín del Romeral, the garden created by the reputed landscaper Leandro Silva, at this year’s Hay Festival Segovia 2018, this version of my short story Mr. No stands out. I have retitled it Mister Independence, from my book Dibugrafías, co-created with artist Miguel Panadero.

Mister Independence

Mister. Independence is very much at home in Indepenland, as one might well expect. The country is his. Streets, avenues, monuments, when not expressly dedicated to his personality cult, at one moment or another, all refer clearly to him. Needless to say, in general, the atmosphere in Indepenland is an Independent atmosphere.

Nevertheless, certain voices have highlighted not just the opportuneness of a certain independence, but furthermore, the need to resume talks with Depenland and Mister Dependence, because at the end of the day, they point out, it makes as little sense to go around shouting and asking for independence the whole time as it does to go around shouting and asking for dependence, and that’s without getting into the childishness involved in being surrounded by so many peers.

At the poetry recital in the Jardin del Romeral, which once again I coordinated, I was joined by writers such as the British-Egyptian Sabrina Mahfouz, Wales’s Dylan Moore, German poet Michael Krüger, Brazil’s Alexandre Vidal Porto, Polish poet Dorota Maslowska, British-Spanish poet Bek Clark, and poet and journalist Carlos Aganzo. Also taking part were, among others, Caroline Michel, the President of the Hay Festival, Simon Manley, the UK ambassador to Spain, and the ambassador of the Netherlands in Spain, Matthijs van Bonzel.

 

 

The chicken or the egg

By Short story

I started to write when he had already painted something. Nevertheless, I would often tell stories he hadn’t painted. Could I have written those stories without that initial spark from his paintings? Is there a well somewhere we draw from for these stories? Which came first, the chicken or the egg?

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